between, arrangements
Featuring works by Dylan Chan, Ezzam Rahman, and Perception3
16 May – 14 June 2026
Opening Reception: Saturday, 16 May 2026, 3pm – 7pm
Exhibition Walkthrough with the Artists: Saturday, 16 May 2026, 4pm – 5pm
Artists and Curator Conversation: Saturday, 6 June 2026, 3pm – 4pm
RSVP to info@mizuma.sg to attend programmes.
Mizuma Gallery is pleased to present between, arrangements, a group exhibition by Dylan Chan, Ezzam Rahman, and Perception3, opening on 16 May 2026. between, arrangements reflects on how we continually recalibrate ourselves—materially, spatially, and inwardly—to meet the demands of everyday life. Rather than offering neat resolutions, the exhibition focuses on the small, ongoing adjustments through which people carve out room to breathe, rest, and relate to others.
Ezzam Rahman’s works appear as intimate site-responsive installations of objects. Using modest materials associated with care, such as plasters and medicinal bottles, he builds arrangements that speak of bodily and emotional exhaustion as much as repair. The kain pelikat, with its familiar stripes and checks, draws in the textures of everyday life: prayer, sleep, domestic routine; and inherited ideas of masculinity. Through his reassembling of these elements, Ezzam both honours and gently questions the cultural and gendered expectations that shape how certain bodies may be seen, supported, or allowed to falter.
Dylan Chan extends these questions into the built environment with a new set of parquet photo‑structures. Continuing his long‑term interest in ideas of home and sanctuary, Chan’s works are composed of photographic panels that stack and shift against one another. Structure, repetition, and surface play a central role: each work seems to be in the midst of being turned, shuffled, or re‑aligned, echoing the way a body might search for a comfortable position in bed. Installed between wall and floor—at times resembling wallpaper, yet rooted in the logic of flooring—they gently unsettle our sense of what is “up” or “down”, solid or provisional. In doing so, they frame building itself as a quiet, ongoing practice of refusing fixed arrangements and imagining new ways of being accommodated and protected.
Perception3 presents a short video and a series of photo‑and‑text prints centred on landscapes captured by Seah Sze Yunn, with handwritten text by Regina De Rozario. Wide views of sea, sky, fog, and tree‑line are paired with brief, poetic lines that drift alongside the images rather than describe them directly, tracing memories of intimacies and estrangements. The scenes may feel like stable vantage points, yet they also open up an in-between field where relational histories and possible futures can be re-imagined and re-scripted. As a series, these works invite viewers to slow down and attend to their own interior landscapes where their sense of distance and proximity shifts, and where ways of being together are gently recalled and re‑arranged.
Seen together, the works in between, arrangements suggest that arranging is never a one‑time act but a way of moving through the world. Across assemblage, photographic structure, and image‑text, the exhibition proposes arrangement as both condition and method: the ongoing labour of placing bodies, objects, and images in relation to a world that rarely feels stable. In the minor recalibrations of care, of shelter, and of relationships that unfold in these works, a quieter form of persistence comes into view—one that trusts that survival, sustenance, and perhaps even solace, can emerge from the careful tending of what lies in between.
between, arrangements, a group exhibition featuring works by Dylan Chan, Ezzam Rahman, and Perception3 will run from 16 May to 14 June 2026 at Mizuma Gallery, 22 Lock Road #01-34 Gillman Barracks, Singapore 108939. The gallery will open from 11am to 7pm on Tuesdays to Saturdays, and 11am to 6pm on Sundays. The gallery will be closed on Mondays and Public Holidays.
An Opening Reception will be held on Saturday, 16 May 2026 from 3pm to 7pm, with an Exhibition Walkthrough with the artists from 4pm to 5pm. The opening reception is free and open to the public, please RSVP to info@mizuma.sg. An Artists and Curator Conversation will be held on Saturday, 6 June 2026 from 3pm to 4pm, featuring curator Regina De Rozario with artists Ezzam Rahman, Dylan Chan, and Perception3. Together, they will reflect on how their respective artistic methodologies become ways of recalibrating and negotiating in response to the shifting demands of the everyday. The artist and curator conversation is free and open to the public, please RSVP to info@mizuma.sg.
Featuring works by Dylan Chan, Ezzam Rahman, and Perception3
16 May – 14 June 2026
Opening Reception: Saturday, 16 May 2026, 3pm – 7pm
Exhibition Walkthrough with the Artists: Saturday, 16 May 2026, 4pm – 5pm
Artists and Curator Conversation: Saturday, 6 June 2026, 3pm – 4pm
RSVP to info@mizuma.sg to attend programmes.
Mizuma Gallery is pleased to present between, arrangements, a group exhibition by Dylan Chan, Ezzam Rahman, and Perception3, opening on 16 May 2026. between, arrangements reflects on how we continually recalibrate ourselves—materially, spatially, and inwardly—to meet the demands of everyday life. Rather than offering neat resolutions, the exhibition focuses on the small, ongoing adjustments through which people carve out room to breathe, rest, and relate to others.
Ezzam Rahman’s works appear as intimate site-responsive installations of objects. Using modest materials associated with care, such as plasters and medicinal bottles, he builds arrangements that speak of bodily and emotional exhaustion as much as repair. The kain pelikat, with its familiar stripes and checks, draws in the textures of everyday life: prayer, sleep, domestic routine; and inherited ideas of masculinity. Through his reassembling of these elements, Ezzam both honours and gently questions the cultural and gendered expectations that shape how certain bodies may be seen, supported, or allowed to falter.
Dylan Chan extends these questions into the built environment with a new set of parquet photo‑structures. Continuing his long‑term interest in ideas of home and sanctuary, Chan’s works are composed of photographic panels that stack and shift against one another. Structure, repetition, and surface play a central role: each work seems to be in the midst of being turned, shuffled, or re‑aligned, echoing the way a body might search for a comfortable position in bed. Installed between wall and floor—at times resembling wallpaper, yet rooted in the logic of flooring—they gently unsettle our sense of what is “up” or “down”, solid or provisional. In doing so, they frame building itself as a quiet, ongoing practice of refusing fixed arrangements and imagining new ways of being accommodated and protected.
Perception3 presents a short video and a series of photo‑and‑text prints centred on landscapes captured by Seah Sze Yunn, with handwritten text by Regina De Rozario. Wide views of sea, sky, fog, and tree‑line are paired with brief, poetic lines that drift alongside the images rather than describe them directly, tracing memories of intimacies and estrangements. The scenes may feel like stable vantage points, yet they also open up an in-between field where relational histories and possible futures can be re-imagined and re-scripted. As a series, these works invite viewers to slow down and attend to their own interior landscapes where their sense of distance and proximity shifts, and where ways of being together are gently recalled and re‑arranged.
Seen together, the works in between, arrangements suggest that arranging is never a one‑time act but a way of moving through the world. Across assemblage, photographic structure, and image‑text, the exhibition proposes arrangement as both condition and method: the ongoing labour of placing bodies, objects, and images in relation to a world that rarely feels stable. In the minor recalibrations of care, of shelter, and of relationships that unfold in these works, a quieter form of persistence comes into view—one that trusts that survival, sustenance, and perhaps even solace, can emerge from the careful tending of what lies in between.
between, arrangements, a group exhibition featuring works by Dylan Chan, Ezzam Rahman, and Perception3 will run from 16 May to 14 June 2026 at Mizuma Gallery, 22 Lock Road #01-34 Gillman Barracks, Singapore 108939. The gallery will open from 11am to 7pm on Tuesdays to Saturdays, and 11am to 6pm on Sundays. The gallery will be closed on Mondays and Public Holidays.
An Opening Reception will be held on Saturday, 16 May 2026 from 3pm to 7pm, with an Exhibition Walkthrough with the artists from 4pm to 5pm. The opening reception is free and open to the public, please RSVP to info@mizuma.sg. An Artists and Curator Conversation will be held on Saturday, 6 June 2026 from 3pm to 4pm, featuring curator Regina De Rozario with artists Ezzam Rahman, Dylan Chan, and Perception3. Together, they will reflect on how their respective artistic methodologies become ways of recalibrating and negotiating in response to the shifting demands of the everyday. The artist and curator conversation is free and open to the public, please RSVP to info@mizuma.sg.