What There Looks Like by Liu Hsin-Ying
Richard Koh Fine Art (RKFA) is pleased to announce Malaysia-based Taiwanese artist Liu Hsin-Ying (b.1991) first solo exhibition in Singapore. Titled What There Looks Like, the exhibition is slated to run from 18 June – 10 July 2021 at Richard Koh Fine Art Singapore, Blk 47 Malan Road #01-26 Gillman Barracks, Singapore 109444.
The exhibition showcases a series of paintings in which the artist captures ephemerality in nature, reality and the human body. Liu subjects herself to these themes without preconception, instead, contemplates and instantaneously transcribes emotions, thoughts and forms on canvas through masses of strokes and line drawings paired with cognitive use of colors. The viewer is invited to ponder over suggestive figures of trees, mountains, grass, sea, sky & wind – a visual vocabulary the artist employs to express primal passion, sensuality and sexuality as a human, a woman and a mother.
The canvas offers a window into the ongoing consonance of the artist and her subject matter. The lack of focal points and lines of perspective that address the shifting nature of these realms, overlapping identities of subjects and fleeting gaze come together to present this series of colour frenzy and line reverie.
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Richard Koh Fine Art (RKFA) is pleased to announce Malaysia-based Taiwanese artist Liu Hsin-Ying (b.1991) first solo exhibition in Singapore. Titled What There Looks Like, the exhibition is slated to run from 18 June – 10 July 2021 at Richard Koh Fine Art Singapore, Blk 47 Malan Road #01-26 Gillman Barracks, Singapore 109444.
The exhibition showcases a series of paintings in which the artist captures ephemerality in nature, reality and the human body. Liu subjects herself to these themes without preconception, instead, contemplates and instantaneously transcribes emotions, thoughts and forms on canvas through masses of strokes and line drawings paired with cognitive use of colors. The viewer is invited to ponder over suggestive figures of trees, mountains, grass, sea, sky & wind – a visual vocabulary the artist employs to express primal passion, sensuality and sexuality as a human, a woman and a mother.
The canvas offers a window into the ongoing consonance of the artist and her subject matter. The lack of focal points and lines of perspective that address the shifting nature of these realms, overlapping identities of subjects and fleeting gaze come together to present this series of colour frenzy and line reverie.
