1 x 1 x 1
FOST Gallery is thrilled to announce the return of 1 x 1 x 1. The exhibition brings together a selection of works in a variety of mediums, with each work being no larger than one metre in any dimension.
It includes works by artists who also work in a much larger scale like inter-disciplinary artist Grace Tan, better recognised for her significant public sculptures. Tan presents new disc sculptures made from rice and mineral pigments, the result of a recent experimental project. Sebastian Mary Tay, who is known for creating large scale dioramas, is showing Where Does the Sun Rise; Where Will the Moon Shine, a series of digitally composed semi-abstracted landscapes.
Whilst most of the works in the exhibition are expectedly intimate in scale and require close engagement with the viewer, Particulate-A World Without End I-VI by Wyn Lyn Tan and Emotional Things (Slant) by Ian Woo, can be also viewed as a sum of their smaller component parts. In Jodi Tan’s colourful abstract still-life paintings, what appears up close as a patchwork of colour blocks transforms into more recognisable shapes when viewed from a distance, revealing the structure of the composition.
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FOST Gallery is thrilled to announce the return of 1 x 1 x 1. The exhibition brings together a selection of works in a variety of mediums, with each work being no larger than one metre in any dimension.
It includes works by artists who also work in a much larger scale like inter-disciplinary artist Grace Tan, better recognised for her significant public sculptures. Tan presents new disc sculptures made from rice and mineral pigments, the result of a recent experimental project. Sebastian Mary Tay, who is known for creating large scale dioramas, is showing Where Does the Sun Rise; Where Will the Moon Shine, a series of digitally composed semi-abstracted landscapes.
Whilst most of the works in the exhibition are expectedly intimate in scale and require close engagement with the viewer, Particulate-A World Without End I-VI by Wyn Lyn Tan and Emotional Things (Slant) by Ian Woo, can be also viewed as a sum of their smaller component parts. In Jodi Tan’s colourful abstract still-life paintings, what appears up close as a patchwork of colour blocks transforms into more recognisable shapes when viewed from a distance, revealing the structure of the composition.
